poetics, and fugue. And whilst it truly is tricky to acknowledge the concept that Black and Indigenous peoples are in reality the monsters in the past—as if that earlier is get over—Shock describes On this paragraph a trajectory of otherness by which monstrosity signifies because the
Rodríguez proposes that we must trace the amassed familiarity with the travesti overall body to know its materiality. Which substance episteme is dependent upon the reflection and refraction—the erotically billed collision—of bodies.
A triplet of variants over the self (&ld
And while it could surely be argued which the determine from the monster, to be a trope or matrix, are unable to exist outside of a certain cultural system, component of their monstrosity must do with Understanding to relate by corporal enactments, proximity, and motion, rather than cognition,
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pero yo le dije toda la verdad: soy travesti” (He lied to me, but I informed him The entire fact: I am a travesti; 2016, 95). This solitary line phases an erotic face among a travesti
As I've argued, both Shock and Rodríguez are advocating monstrosity precisely when the worldwide